Monday, December 23, 2019
The Real Inspector Hound by Tom Stoppard Essay - 624 Words
In Tom Stoppard’s skilfully delineated play, The Real Inspector Hound, he seeks to merely parody the traditional crime fiction genre. The play does not criticise or parody at the expense of the genre but it is simply poking affectionate fun at it. Stoppard identifies the classic techniques used in crime fiction and exaggerates it to such an extent that it causes the audience to laugh at the ludicrousness of the genre. He parodies the typical layout and the archetypal characters used in traditional crime fiction stories. Stoppard adds to the amusement of the play through the use of parallel plots that absurdly and unpredictably merge, creating a classic yet twisted denouement. The Real Inspector Hound is a play that cleverly fulfils all†¦show more content†¦The wittily named character, Mrs Drudge is the first to enter on stage and takes on the archetypal domestic character in traditional crime fiction. She does this by keeping a watchful eye on all of the characters a nd giving useful information to the detective nearing the big reveal of the murderer. Mrs Drudge fulfils and exaggerates this role perfectly, saying things such as â€Å"I chanced to overhear a remark...†(pg. 45) and â€Å"I also happened to be in earshot of a remark†¦Ã¢â‚¬ (pg. 46) nearing the denouement. Simon Gascoyne is the classic red herring character who causes the audience to think he is the murderer as he has suspiciously appeared â€Å"in the neighbourhood from nowhere†(pg. 41) and as all the characters despise him. Cynthia or Lady Muldoon represents the Grande Dame type character who is typically depicted as an upper class socialite often linking all the characters together. Felicity Cunningham is the typical femme fatale type character who is both seductive as well as cunning. She often comes up with snide remarks such as â€Å"Yes, Simon is an old friend, though not as old as you, Cynthia dear.†(pg. 24). Major Magnus takes on the role of the mysterious military-bound relative as described by Mrs Drudge, â€Å"the crippled half-brother of Lord Muldoon who turned up out of the blue†¦Ã¢â‚¬ (pg. 17). Another main character in the play within the play is Inspector Hound who is supposedShow MoreRelatedThe Mousetrap, The Real Inspector Hound, And The Murder Of Roger Ackroyd1096 Words  | 5 Pagesstories is important because it allows readers with specific preference to distinguish and choose between different genres. This essay looks at the application of generic conventions in three crime fiction stories, namely The Mousetrap, The Real inspector Hound, and The Murder of Roger Ackroyd. The author of The Murder of Roger Ackroyd includes murder mystery in her story. 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The analysis progresses in chronological order, beginning with three film texts Double Indemnity (1944), Rear Window (1954), Psycho (1960) and culminating in an examination of Tom Stoppards 1968 play The Real Inspector Hound. Through examining the formal structure of the four texts and the ways in which they deviate from the norms of their genre and medium, this paper explores how formal experimentation effectively implicates the viewer and revisesRead MoreThe Real Inspector Hound. Essay1837 Words  | 8 Pages The Real Inspector Hound Contrasting settings, ideals and people dominate The Real Inspector Hound. Almost every character has an opposite, and is otherwise totally unique. Cynthia is opposite to Felicity, Simon is the contrast of Magnus, and so on. Tom Stoppard has included these contrasts for a variety of reasons and effects that combine to create the disturbing effect of the play incredibly effectively. But what individual effects do his characters create by Read MoreSamuel Beckett s Waiting For Godot1696 Words  | 7 Pagesway to irrational and illogical speeches. A godless universe, human existence has no meaning or purpose and therefore all communication breaks down. The theatre of the absurd is sometimes defined it as a â€Å"working hypothesis†, a device, instead of a real movement. Martin Esslin in his book the â€Å"Theatre of Absurd†quotes that absurdist theatre has renounced arguing about the absurdity of the human condition; it merely presents it in being- in terms of concrete stage images†. He indicated too, the influence
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